Best Bass players Jazz

June 20, 2017


Stanley Clarke performs on

What are your all time top ten best Jazz bass performances?

We’ve put together a list of 10 great examples below. They range from early, pioneering bootlegged pieces on the upright to more modern affairs from present-day favourites of the electric variety.

Hopefully there are a few choices in our list that you’ll whole heartedly agree with alongside a few others that you may not have expected or first thought of.

We didn’t title this list “The Ten Best Jazz Bassists Ever” because we want to hear from you!

Without further ado, here are ten great performances by ten great Jazz bassists…

Jaco Pastorius – The Dry Cleaner From Des Moines

What a track to begin our list with.

Released on the Joni Mitchell and Charles Mingus collaboration album Mingus – which was dedicated to the great player who died shortly after its recording – The Dry Cleaner From Des Moines was one of the last pieces of music he composed before his passing in 1979.

Fittingly, it was Jaco Pastorius, another legend of the four string, who would take on the piece as part of Mitchell’s band, adding horns to the arrangement and melding his genius with the late great Mingus’ creation. Somehow, as the live versions linked above can attest to, Jaco managed to take the piece to another level with his busy and brilliant performances.

Marcus Miller – Teen Town

Although best know as one of Jaco’s calling cards, Marcus Miller’s version of Town is a fantastic arrangement and performance in its own right.

Released on Mysterious Voyages – A Tribute To Weather Report, Miller’s version sounds sharp, throaty and assertive. It even offers up some great steel pan work to complement the driving bass playing, adding a refreshing contrast to the memorable timbre and accompaniment of the original.

Charles Mingus – Duet Solo Dancers (Hears’ Beat And Shades In Physical Embraces)

The second piece written by Mingus on our list is track B on his 1963 release, The Black Saint and the Sinner Lady.

Falling somewhere between the autocracy of an orchestral conductor waving their baton and the engine of a steam train, Mingus’ performance on the upright exudes musical authority. While other instruments sail off with their ear-catching melodies and tricks, the bass remains dominant and decisive.

A performance as much about Mingus’ genius as a composer, arranger and leader as it is his enormous ability to play.

Victor Wooten – Norwegian Wood

The inclusion of Wooten’s re-arrangement of this Beatles classic may raise some eyebrows considering the strength of his other notable works. However, the track’s measured sense of restraint and melodically informed technical exhibitionism won us over.

We think it’s a great inclusion to our ten and a nice showcase of this modern master’s abilities and creativity.

Niels Henning Orsted Pedersen – Have You Met Miss Jones?

Released on the aptly titled album, Chops, this duet between Niels Henning Orsted Pedersen and Joe Pass is a simple stripped down affair that soars on the pretty, conversational interplay between the two players.

Bill Johnson – Get the “L” on Down the Road

A true pioneer, Bill Johnson is considered to be the innovator of the plucked string playing style and one of the first band leaders to take Jazz out of New Orleans and to a northern audience in his time at the helm of the Original Creole Orchestra and Bill Johnson’s Louisiana Jug Band.

Impressively, Johnson only committed to playing the bass at the age of 26 but his skills were said to have rivaled those of his most celebrated contemporaries such as Pops Foster and Wellman Braud.

Jimmy Blanton – Pitter Panther Patter

A bouncing, jiving duet between Duke Ellington and Jimmy Blanton, Pitter Panther Patter is a short and snappy piece featuring fun bass runs and lines improvised in response to the space pockets left by Ellington’s calling piano.

This piece would later be recorded and released by Duke Ellington and Ray Brown in 1972, but the natural flow and understanding within the earlier Blanton version is hard to beat.

Esperanza Spalding – Endangered Species

Esperanza Spalding’s take on Wayne Shorter’s Endangered Species is an intimidating showcase of her fearsome ability on the bass.

Skilled on both upright and electric basses, Spalding’s arsenal of techniques and styles is vast and diverse. On Endangered Species her comprehensive approach takes centre stage, driving the music on with a grounding funk figure while playing around with the track’s shifting harmonic progressions.

Oscar Pettiford – Tricotism

In 1949, bass pioneer Oscar Pettiford broke his arm – an injury that made playing the bass difficult. As part of his rehabilitation Pettiford learned to play the cello which he would occasionally play at gigs. He was also one of the first players to treat the upright bass as a solo instrument, playing fast, melodic be-bop lines effortlessly.

Check out the breathlessly nimble and smooth Tricotism above.

Eberhard Weber – The Colours of Chloe

The Colours of Chloe is the title track from Weber’s unashamedly experimental debut album on ECM.

In the midst of the synth swirls and wonderful oddness that flows through the piece, Weber’s performance grounds the whole composition while also contributing to its dreamy, exotic qualities.

What do you make of our list? Fancy coming up with your own?

Source: www.musicroom.com
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